Friday, November 28, 2025

Reparations: The Backlash before the breakthrough

There’s a section in my last book where I ponder my life, education and opportunities comparative to my daddy. My Daddy’s Promise: Lessons Learned Through Caregiving, is the outpouring of my soul upon considering the burden my daddy carried on his back. I concluded a need to be grateful. My daddy, born in 1936 in McBaine, MO, didn’t have the privilege of attending the University of Missouri. Black students weren’t allowed to enroll back then. My daddy didn’t have the privileges of Black folks living in the South. I wonder, would it have been different if there were more HBCU’s to shift the culture of Black people seeking economic privilege.

 

There is a whirlwind of emotions related to that discussion, but it doesn’t stop there. Would it have been different for me?

 

In pondering, I made a gratitude list for Thanksgiving: mama, daddy (he’s still with me with all the ancestors), my children, grandchildren, one uncle still alive (18 aunts and uncles sharing camp with my sister Crystal on the other side), friends, health, faith, peace of mind, the resources to survive – pause. Radical shifting.

 

Why is there only enough to survive given the contributions of my ancestors, including the ones trapped in the African slave trade? Pause. Reflect. Cry. Breathe, Pause. Damnit. Why Lord.

 

Reparations. 

 

For a brief moment, the nation seemed poised to engage in a long-avoided conversation about repairing the economic devastation wrought on Black Americans. The scholarly groundwork was not only being laid; it was becoming impossible to ignore. A wave of rigorous research, spanning disciplines and generations, had begun to converge around a shared conclusion: America owes a debt. And the receipts - centuries of laws, policies, and practices designed to suppress Black advancement - are meticulously documented.

 

But just as the country approached that rare inflection point, the ground shifted. The attack on diversity, equity and inclusion (DEI) initiatives didn’t emerge in a vacuum. It followed, and was arguably provoked by, the growing intellectual and political legitimacy of reparations.

 

A SCHOLARLY FOUNDATION THAT COULD NO LONGER BE DENIED

 

The sequence is important.

 

Economist Sandy Darity, alongside A. Kristen Mullen and Lucas Hubbard, produced The Black Reparations Project: A Handbook for Racial Justice, an unflinching framework detailing the moral and economic rationale for redressing the racial wealth gap. Their work built on decades of critical scholarship by Randall Robinson, Derrick Bell, KimberlĂ© Crenshaw, Richard Delgado, Patricia Williams, and others who developed critical race theory as a lens to expose how racism is embedded in America’s laws and institutions, not as aberrations, but as design.

 

Nikole Hannah-Jones’ 1619 Project broadened public understanding of slavery’s foundational role in shaping American capitalism and democracy. Michelle Alexander’s The New Jim Crow documented the modern machinery of mass incarceration. Isabel Wilkerson revealed caste as America’s hidden operating structure, and writers like Ta-Nehisi Coates forced the nation to confront, with uncompromising clarity, the generational extraction of Black wealth.

 

Together, these works formed more than a scholarly canon. They formed a case - coherent, evidence-driven, widely accessible - that America’s racial inequities were not accidents. They were the predictable outcomes of policies intentionally crafted to advantage white Americans while immobilizing Black people.

 

And when a case becomes clear, remedies become harder to avoid.

 

Reparations were gaining credibility not simply as a moral imperative, but as a practical, data-backed necessity.

 

THE COUNTEROFFENSIVE

 

Then came the counterattack.

 

Donald Trump entered office promising to be a disrupter, and in this arena, he delivered: not by addressing the scholarship, but by attacking structures that might operationalize its conclusions. With the support of the Supreme Court shaped in his image, the conservative movement didn’t merely critique DEI - it sought to dismantle it. The Court’s landmark decision restricting race-conscious policies in education, hiring, and contracting effectively kneecapped one of the few remaining mechanisms institutions used to address historical inequities.

 

The Supreme Court decision framed DEI as divisive, unfair, even dangerous. But make no mistake, the target wasn’t the trainings or the job titles. The target is the emerging legitimacy of reparations.

 

Because DEI, for all its shortcomings, represented an acknowledgment that historical harm requires active correction. If even modest corrective efforts could be portrayed as discriminatory, then reparations, which demand far more, could be dismissed as unconstitutional before they even reach the starting line.

 

REPARATIONS STALLED BY DESIGN

 

The Supreme Court’s DEI decision did more than ban certain practices. It rewrote the narrative: any race-based remedy, no matter its historic justification, is now suspect. The ruling fortified a political climate in which advocating for reparations is construed as radical rather than rectifying. And it handed opponents a new legal vocabulary to argue that repairing racial harm is itself a form of racial discrimination.

 

This shift is no accident. It is a strategic recalibration.

 

Instead of debating the merits of reparations, a debate scholars are winning, political actors changed the terrain. They moved the conversation from history to legality, from morality to perceived fairness, from evidence to fear.

 

With one ruling, the Court curtailed the ability of universities, corporations, and public institutions to acknowledge racial inequity in any operational way. It also fortified a backlash movement built on the claim that addressing racism constitutes racism.

 

A DEBT DEFERRED - BUT NOT ERASED

 

For Black Americans, the consequences are profound. Reparations are not just symbolic; they are an economic necessity for repairing a racial wealth gap created through redlining, discriminatory GI Bills, unequal pay, stolen labor and a criminal justice system engineered for extraction.

 

Dismantling DEI weakens the infrastructure that could have carried reparations forward with policy labs, research institutions, philanthropic initiatives, corporate equity programs, and government offices staffed by people who understand the stakes.

 

But even in this retrenchment, the scholarship remains. And scholarship has a way of outlasting political winds.

 

Darity’s models for direct payments, the 1619 Project’s historical reframing, the legal clarity of Bell and Crenshaw, the sociological rigor of Wilkerson, the moral clarity of Coates, and the systems critique of Alexander - these texts will continue to teach. They will continue to persuade. They will continue to expose the unfinished business of justice.

 

THE PATH FORWARD

 

The backlash to DEI is not simply a rejection of diversity efforts. It is a defensive maneuver against the possibility of accountability. As the country moved closer than many realized to accepting reparations as not only legitimate but necessary; the question now is whether this generation will allow a political backlash, one manufactured in response to truth-telling, to halt the nation’s moral progress.

 

Reparations are not a fringe idea. They are a debt. And debts, when ignored, do not disappear. They accumulate interest.

 

I closed my eyes upon feeling my daddy’s presence.

 

“Keep writing son,” a presence stronger than before. “Tell them the story about how we will overcome.”

 

 

 

Tuesday, May 20, 2025

Durham Committee on the Affairs of Black People faces collapse after accusation of embezzlement

The Durham Committee on the Affairs of Black People (DCABP) faces implosion after the former chair of the political committee allegedly embezzled more than $60,000 of the money raised to support candidates endorsed by the political committee.

Floyd McKissick, Jr., the chair of the group founded in 1935 to address issues impacting Durham’s Black residents, led a process that involved contracting the services of Lolita A. Wynn, a Durham certified public accountant, to measure the damage.

The State Bureau of Investigation (SBI) is investigating the findings of the report. The name of the accused is not being disclosed by the Rev-elution to honor the process of the investigation until the DCABP makes an official public statement. 

Key members of the leadership team resigned during the May 19 meeting of the political committee citing a lack of transparency since the accusation of embezzlement in January.

While the SBI investigate the case, members of the DCABP haven’t seen Wynn’s report. McKissick claims the right to protect the person accused during an ongoing investigation.

“This evening, I resigned as Vice Chair of the Durham Committee of the Affairs of Black People PAC,” Donald Hughes posted on his Facebook page. “The PAC Chair, former Mayor Elaine O’Neal, also resigned this evening.”

Hughes shares the reason for his decision. 

“So much has happened since being sworn in a few months ago, but it boils down to disrespect and undermining by Floyd McKissick – Chair of the Durham Committee of the Affairs of Black People general body,” said Hughes.

DCABP Housing Committee Chair Jacqueline Wagstaff (Hughes' mother), and former Durham County Commissioner Nimasheena Burns resigned from their leadership roles.

“I honor your voices and your choices,” said Stella Adams, former chair of the housing committee, on her Facebook page. “I look forward to working with you as we continue to find ways to improve the lives of the Black community.”

McKissick defeated Larry Hall, a former member of the North Carolina House of Representatives and Secretary of the North Carolina Department of Military and Veterans Affairs, to become chair of the DCABP. Within days of his installation, McKissick faced unravelling the controversy that may sidetrack the work of the political committee in upcoming elections.




Friday, February 14, 2025

Kendrick Lamar's Televised Black Revolution

I stood in full attention as Black bodies dressed in red, white and blue formed an American flag. I bowed in humble submission when they broke position triggering thoughts of their complicated relationship with the stars and stripes. 

 

Kendrick Lamar’s Super Bowl halftime show is understood best within the context of how he landed on that stage.

 

 

In 2016, Colin Kaepernick took a knee during the playing of “The Star-Spangled Banner” to protest the deaths of Black men and women at the hands of police officers. 

 

 

“To me, this is bigger than football, and it would be selfish on my part to look the other way,” Kaepernick said in The Guardian. “There are bodies in the street and people getting paid leave and getting away with murder.”

 

 

The NFL responded by kicking Kaepernick out of the league. In May 2018, NFL Commissioner Roger Goodell barred athletes from protesting on the sidelines during the national anthem while granting them the right to remain in the locker room.

 

 

Fans determined to stand in solidarity with Kaepernick boycotted watching football during the 2018 season after all 32 teams refused to give the former San Francisco quarterback a tryout. 

 

 

“We can’t have the inmates running the prison,” said Bob McNair, owner of the Houston Texans.

 

 

“That’s how they look at you. That’s what they think about you,” said Jay-Z in response to McNair’s comment. “We’ve got so much further to go.”

 

 

A massive dip in NFL ratings led Robert Kraft, owner of the New England Patriots, to contact Jay-Z to help repair the NFL’s relationship with Black fans. Jay-Z inked a five-year, $25 million deal with the league to produce the Super Bowl halftime show and to improve the NFL’s social justice agenda.

 

 

Understanding that context is critical in unfolding the symbols in Lamar’s halftime show. It explains the Black rage and call for a televised revolution. It explains the demand for forty acres and a mule along with the continuing dilemma Black people face – gaining access to the 

American Dream while facing battles questioning the credibility of policies protecting diversity, equity and inclusion.

 

 

Those Black bodies forming an American flag responds to punishment for kneeling during the playing of the “Star-Spangled Banner.’ Those bodies are responding to attacks proclaiming Black Lives Matter. They witness the history, legacy and ongoing challenges of Black men and women who built America on their backs and fought for America’s version of democracy with their blood, sweat, tears and lives.

 

 

The powerful presence of Black Uncle Sam evokes a call to stand in defiance to the admonition of severe punishment for failing to follow the rules. It’s a warning not to kneel like Kaepernick. It’s a reminder to place personal success above collective good. It’s a statement involving the benefits of minimizing the importance of Black identity when in the presence of white people confused by your message.

 

 

‘Too loud, too reckless, too ghetto,” Uncle Sam said. “Mr. Lamar, do you really know how to play the game?”

 

 

The selection of songs doesn’t fit. The staging doesn’t fit. The expectation is to make the art entertaining. That’s what Black people do – right. 

 

 

Lamar’s music isn’t created to appease the interest of Donald Trump and other likeminded people in the crowd. His halftime performance isn’t meant to address a universal truth. All of the dancers are Black. All of the lyrics involve Black life and culture. Lamar doesn’t stray from his anti-establishment persona. He offers a unique political agenda rooted in the language of Black revolution.

 

 

“The revolution will be televised,” said Lamar. “You got the right time but the wrong guy.”

 

 

Lamar is not your typical Super Bowl performer. He’s on stage to represent the condition of many Black people living in America. That life involves the ongoing friction between unity and division under the fabric of the red, white and blue.



Uncle Sam reflects Lamar’s self-examination of his role on the world’s biggest stage. 

 

 

“We were wrong for not listening to NFL Players earlier,” Goodell said in a 2020 apology announcing the reversal of the NFL policy after the death of George Floyd.

 

 

Goodell and the 32 owners of NFL teams failed to concede the mind of Black people during a time of immense tension. They expected compromise placing the interest of white fans above the concerns of Black people. They punished resistance and demanded a pledge of allegiance.

 

 

Lamar faced a similar decision. Should he bow due to the threat of a lawsuit for performing “They Not Like Us,” his Grammy award winning diss track? Should he listen to Uncle Sam or give the people what they want.

 

 

Lamar’s Super Bowl LIX performance is the most-watched broadcast in American television history, outdrawing the Apollo 11 moon landing on July 20, 1969 and Michael Jackson’s halftime show from over 30 years ago.

 

 

The more than 150 million viewers experienced more than the artistry of a 22 Grammy Award winning rapper. They witnessed what happens when art intersects with social justice. They received a glimpse of what happens when art is on full display without pressure to fulfill the desire of viewers.

 

 

This halftime show is not about Drake. It’s about what Drake, and many recording artists like Drake, represent. It’s about the ongoing grappling that many Americans face. 

 

 

Should we capitulate and compromise to the demands of the opinions and voices who witness what we do? Or, should we follow the lead of Serena Williams.

 

 

When you know where you came from and what centers your place in the universe, crip walk.